rain in my heart update mark

To argue my point further, there is a particular example from Rain In My Heart that exemplifies this problem. The subjects had all agreed to be filmed but the thought of switching the camera off and helping must have been fairly strong. I do agree he is explaining in a graphic way the torment of being addicted to alcohol and the consequences that excessive drinking does to ones body. This scene is perhaps one of the more uncomfortable in the film as Watson is merely documenting Vandas relapse back to alcohol and the range of mood swings she encounters. Since 2016 we have been able to harvest 15 Bucks over the magical 200 inch mark, many eclipsing 215 inches and two bucks over 245 inches. Also just to confirm Gillingham is a pretty shitty place to grow up in, so the documentary comes across as very sincere. Director Paul Watson See production, box office & company info Add to Watchlist 5 User reviews Won 1 BAFTA Award 2 wins & 1 nomination total Photos Add photo More like this 6.7 I do feel that in a way Paul Watson has exploited all of his subjects in this film. This in essence in the subject saying that they are feeling exploited by the filmmaker and the documentary project. It follows 4 alcoholics from the hospital to their homes. He made it clear through out the film that he was never sure whether he should be filming his subjects or whether he should, at some points, be turning the camera off. Sometimes I felt like that situation was too much and it couldnt go on toward that direction. Anyway, audiences (including us) will always question whether a subject who is having their whole life pried open for viewing could be a victim of exploitation. I personally believe that the word exploit is quite a harsh word to put on the filmmaker without full justification, its made clear that the subjects wanted to be filmed, Watson treats this permission with a good amount of respect both for the subjects and the topic of the documentary whilst at the same time sustaining his role as the stand back and sympathetic-ear presence. In all of these I recognise issues which could be perceived as exploitative. Due to the nature of the subject, I believe there were always going to be complex ethical issues in terms of filming. But Ive never felt like Watson exploited his subjects. This I feel undermines what his role as a filmmaker is as it shows his intentions for the direction of this documentary. Critical and disbelieving responses after giving personal information in a safe space, can cause as much pain and loneliness as the original abuse. I would not have the heavens fair, By making such a real and baring all film, he is raising awareness about the reality of alcoholism and hopefully opening the eyes of alcoholics watching it and even doctors watching it, who can see how to help alcoholics in earlier stages. This stuck with me throughout Rain In My Heart, a film which I found pretty difficult to watch. I believe he does ask himself sincere ethical questions and that he answers them truthfully. I feel he mistakes this forced friendliness by asking more and more personal questions as he continues to film her. One of them, Nigel Wratten, was shown unconscious, dead in all but name, while his wife made her final farewell;. Its hard to give a black or white answer of whether or not Paul Watson exploit the subject. I believe that to a degree, this exploits his subjects as hes physically chosen to include and investigate them, making them almost vulnerable because he is sure hell result in achieving great interviews with them. There are only so many times we would need to see this clip before it becomes useless to the narrative, and is only trying to evoke fear in the audience as they start expecting, or even demanding, for the situation to suddenly become worse. It brought more power to the issues of alcohol and their lasting effects on the psyche. Secondly, Watson must have gone through a pre-planning stage where he would have had to choose the subjects he wished to include, therefore it couldnt have been as completely objective/unbiased as it seemed. Listen to Rain In My Heart on the English music album America by Modern Talking, only on JioSaavn. Registered User. Change). So all these people dont mind being shown in their most vulnerable state on national TV and even Watson at times ask the subjects if they would like him to turn the camera off. Considering this film brings light to the mental conditions that tend to lead to alcoholism, then was Paul Watson in the right place to accept the consent from these people? I realised after I posted this! Filmed over the course of a year, Paul Watson's camera follows them from Gillingham . I think this leads them to be manipulated easily. As for Nigel, it can be said that he was exploited less than others, because his wife was constantly present, therefore she could control the actions of the filmmakers. Rain in my Heart was an incredibly touching yet dark documentary about the wide spread issue that is alcoholism, and at points I was touched by the way in which Watson presented his subjects and their problems. On Thursday, in a special follow-up film for Newsnight, Paul revisits two of the alcoholics from the film, plus the widow of one of those who died during filming. Watson creates this feeling in his editing, which makes his points and connections better but is never pleasant as an aesthetic experience. Although the documentary is very intimate, in both its setting and the framing of the subjects as the yellow-y and fatigued skin of the subjects is shown through close ups. Create a free website or blog at WordPress.com. After all, I am satisfied by what Watson did to deal with accusations. I think the fact that this documentary is so hard to watch gives light to the reality that alcoholism is incredibly hard to live with, and by being so thorough the film shortens the gap between subject and audience. 'Fires were started' (1943)may easily come across as simply a fictional film due to the stylistic use of non-diagetic sound and scripted narrative. The fact he became emotionally involved with such a topic I believe would have helped; it was clear he so wanted them to stay off the alcohol and endure a full recovery. It seems much so that Paul Watson is very much clear of his role within his observational style of filmmaking in his documentaries. When he asks of her troubled past, he is very interrogative as he continues to ask until she is brought to tears by the discussion of her brothers death, but rather than stop, he pushes on. But theres a film within and around the film, one that Steven Spielberg didnt make but that he or someone else should have made: Spielbergs List, the story of the casting call for the actresses who would be getting undressed and going into the gas chamber that turns out to be a shower. We will package all of it up nicely into a docker container along with a UI and an API (in Flask) An . Although there is noticeably moments in the film that steer towards the interviewer, interviewee style of interaction, the communication between Watson and his subjects can certainly be seen as intimate and personal. RAIN IN MY HEART BOWY Rock 1,125Shazams play full song Get up to 5 months free of Apple Music Share OVERVIEW LYRICS PLAY FULL SONG Connect with Apple Music. I would not have the heavens fair, And I think shots show the photographer and the really things that Watson suffered rise the trustiness of this documentary. Although this had a huge dramatic effect upon the viewer and it allowed the viewer to analyse the particular situation multiple times, I felt that Paul Watson was portraying them as if they were less in control of what they were saying, almost as if they were crazy. Dee3 Posts: 10. Rain in my Heart is a powerfully, touching film. After filming Vanda revealing what the monsters in her head were, she states Im a little bit pickled (drunk), to which Paul Watson says Im taking advantage of you. My DF was a chronic alcoholic (who died after eventually committing suicide) and I grew up with my parents while social circle being people in AA and Al-anon so maybe it was less of a shock to me as I've seen most of this first hand. Rather, this extreme showing of suffering is an eduction, to open the spectators eyes to this disease and its effects. Overall, I believe Watson does not exploit his subjects because they knew roughly what they were getting themselves into and because Watson simply observed with the camera the tragic events of the subjects that would gain the empathy of the audience towards the effect of alcoholism. Download Secret Cat Forest v. Name : Secret Cat Forest : Update : Jun 7, 2022: Version : 1. When watching the film, there various moments where I felt Paul Watson over stepped the mark, and exploited his subjects. RAIN IN MY HEART Mark's story By the end of his teens he was married with a daughter - but his wife couldn't control his drinking and the marriage collapsed. The Facebook link I posted was created by Nigels son. Throughout the documentary there are cut ins of Watson discussing ethical implications during the filming process. The truth of this film is that it brings attention to parts of life that as a society we tend to stay quiet about and so by being a representation for people who go through something so scary, life changing and threatening it can never appear wholly ethical. Maybe the subjects are letting Watson film them like this as a message to say this is a life you dont want to live and in saying that does Watsons exploiting of the subjects send a bigger message that in turn may help people going through the same things. He first asks for consent to film them, telling them that he cannot interfere with anything that theyll do, but in return pushes them to the limit by asking provocative questions. I found the piece riveting but extremely disturbing. As with his other films, Watson established a relationship with the subjects during filming. Another point worth making is that every person has a different view of whats going too far. However, from what I saw in the film, Watson does take advantages on his subjects. By going that extra further he creates a relationship with the subjects. At this weeks lecture, the first slide read Documentary is most creditable when it comes as close as possible to the experience of someone actually there. When telling Vandas story, I felt he was very close to her, almost to the point where it could be seen as a personal relationship. However, we can all agree that sometimes happiness is simply taking a walk or dancing in the rain. (LogOut/ I do not think Paul Watson was exploitave in his filming. Frank SinatraCycles 1968 Frank Sinatra Enterprises, LLCReleased on: 1990-01-01Producer: Don C. Watson used creative techniques through editing of previous footage of Vanda. Rain in my Heart Documentary which follows four alcohol abusers - Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 - from the impoverished Medway towns of north Kent. I felt it did a fantastic job in warning people of the dangers of alcohol and addiction. To this statement Vanda agrees and understands the relationship between the two of them. She then replies with a smirk, Obviously. However, as I mentioned previously, Watson neither encourages nor halts the emotional stress of the patients, he simply asks them questions about their mental state and at times even asks the patients if they would prefer the camera to be turned off. In conclusion, I felt Paul Watson was extremely careful with the permissions of his subjects and the hospital and was very clear with what he was going to do throughout; he also (on camera to share with the audience) expressed major concern and made it clear he continued to check with his subjects throughout whether they wanted certain things to be exposed within the final cut. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. Makes a great gift for people who love cats or play the Secret Cat Forest game. Watson stated at the very beginning of the film that he would not intervene in the lives of the people he was filming and would not stop them from drinking if they relapsed. Yes it does raise awareness, and the documentary was good, however, to feel taken back is not the sort of emotion one should try to evoke. This is followed by a sequence of Claire crying at his funeral and shots of the casket. This is also something Watson shouldnt go into. However, what I think strongly outweighs this are the positive effects of the film in terms of education. Nigel, 49, has been dry for ten years, but the damage he has inflicted on his liver is irreversible. I can see why he added this into the film but I think it did effect the overall tone and flow of the documentary. When researching the film I found a web page (which is a old BBC one). Half a bottle of vodka on the train to work at the age of 17 began Mark's journey into alcoholism. However, there is a clear relationship change when we see Watson come to Vandas house for the first time and through his camera both Watson and we, as the audience spectate that she is noticeably drunk and has brought herself another bottle of vodka. By the time she married at 18 she was a serious drinker - the marriage didn't last, nor did a succession of jobs despite her being able to speak at least two other languages. I want to quickly point out that, I didnt like the parts in the film where he became the self-reflexive type and centered the documentary on his own emotional state. Although this might be justified, as their life story is very tragic, I feel Paul Watson pushed them to their limits. Ive found this good review of the film on the internet: http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1661761/. My point being, Watson could have constructed his Documentary in a more ethical way (probably without capturing the outstanding footage he managed to get) or could have been completely unethical by being dominantly intrusive and not taking into consideration personal boundaries, I do believe he has balanced these to an acceptable standard. Because the participants in the film are always in a very fragile state because of their problems, it makes the audience question can they actually give valid consent? Posts; 4,539. Watson is not overly invasive at any point, and if anything my only criticism would be that he sometimes gives too much insight into how he feels about what is happening during filming, which I find unnecessary. He is a quite good interviewer, especially in the interaction between him and the characters. I was completely satisfied with his attempts to deal with accusations of taking advantage of their vulnerabilities throughout the film. The edit involves numerous repeats of dialogue from the patients, which is played at random and juxtaposing episodes, some even without the visuals which make it seem part of the dialogue (for example, when Vanda slams the phone down in anger). Or when Nigel downs a glass of red wine. Obliging by the rules of observational filmmaking, Watson, on the whole, assumes a fly-on-the-wall position and captures the destruction as it unfolds. Even all knows that subjects were vulnerale and needed a help. For I'm just a fool Who clings to his pride But when I'm alone I can hear The sound of rain In my heart Of the tears that I hide And it tears me apart 'Cause I keep them inside I can't get away From the sound of the rain In my heart How could I know, my love I was a toy Only a game to you? These subjects were all willing participants, however their capacity to give consent comes into question. It cant be argued that the documentary would have given Watson some amount of attention from viewers for filming subjects in the vulnerable state they were in, its in this sense that the word exploitation would be more appropriate. Here I refer to when he would talk to the viewer/camera about how he felt at certain points of the film it drew away from the importance of what he should have really been filming and instead became self indulgent within the context. Its probably doing far more good than bad, just in terms of getting the reality of alcoholism out there. I would have actually preferred for Watson not to comment on screen during the film. Rain In My Heart is a documentary that is observing four alcohol abusers Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 from the impoverished Medway towns of north Kent. At one point it says: This type of documentary is not the best way to explain or explore alcoholisms origins. There are some moments that I will have questions against this films moral or ethical problems. On the one hand, Paul Watson did get these peoples consent to be filmed. It deals with a very sensitive issue that affects everyone from viewer to the family of the alcoholics that were taking part in the film. Rain In My Heart is very strong film, and it gives us clear lesson about alcoholism. Boozenight is on Thursday, 13 December, at 10.30pm on BBC TWO. Rain In My Heart by Edgar Lee Masters There is a quiet in my heart Like on who rests from days of pain. Twenty-nine when he appeared in Rain in my Heart, Mark was living on his own in an untidy flat that closely reflected his own state. To clarify, I dont think hes exploiting anyone in this film. It becomes less objective, and much more personal between him and Vanda. One of the patients, a caption told us at the end, was now "in recovery". The question of the ethics of filmmaking is clearly something that is troubling to Watson. http://news.bbc.co.uk/player/nol/newsid_7140000/newsid_7143600/7143616.stm. To illustrate, each of the documentary objects have had their own monsters in their heads, to my mind, they are in a sense weak or have a big weakness- alcohol, therefore Pauls use of characters (Vandas) confession about her monsters or at the same time the reasons why she might be came to drinking helps not only the filmmaker but us in getting closer to this unfamiliar woman and her story. It is hard to be objective about this film because it is so easily relatable to me, I live equidistant from Medway hospital and Maidstone hospital, and most people avoid Medway because of its reputation. Now, with Rain in my Heart, Watson has made the documentary equivalent to The Lost Weekend(1945), the classic feature film about alcoholism, where a writer loses everything through drinking and ends up on a psychiatric ward. He had been in a coma for weeks after his intended sacrifice and showed no sign of waking up. I feel that Paul Watson did exploit his subjects to some extent. The card is easy to customize with your wording, font, font color, paper shape options and choice of six paper types. No one feels comfortable at the hospital anyway without a camera crew to be there watching your pain and destruction (essentially). If the subjects are happy to be filmed then I dont see the problem as long as they have a stable state of mind. About 20 different medications are washed down with pints of vodka and cordial. Two of the participants in Paul Watson's Rain in My Heart died during filming. Mr. Stark was okay, although he still had scars from the snap. However, it doesnt justify the ignore her drinking even he had a chance to stop her. Vanda, one of his participants spoke of the abuse she endured from her Father, and when she told her Mother and she didnt believe her, thats when she turned to alcohol. Although, there are several moments when this filmmaker and subject relationship is close to breach, he retains his role of confidentiality and recognizes that the subject may not be too sober to make such ethical decisions of what they would like in the final cut or not. SACRAMENTO, Calif. More rain and snow swept through Northern California on Monday, a day after a historic downpour set records and led to dangerous situations on roadways, street flooding,. RAIN IN MY HEART. Twenty-nine-year-old Mark consumes two bottles of vodka per day. Moreover, one can say that the subjects were exploited not only in the aforementioned scenes, but generally throughout the film. It may be their escape from their issues, and what I think is also important to keep in mind is that if they are using alcohol for this reason, then it could have easily been any other drug. United Kingdom, 2006. A prediction such as this can alter the way she behaves and this documentary is no longer just an observation of her progress. Critic Richard Brody (http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust) described it: Schindlers List features several of the most vulgar and repellent scenes ever filmed. He faced their situations with the most possible respect. This makes me feel as though he almost abuses his subject. Otherwise it would not have been so real and touching and would not have had such an effect on those who watch it. I did not really feel that Paul Watson uses his characters, unless he tried to observe the process of drinking, or returning to the alcoholism after abstaining from it. Although we see Paul telling Vanda that he will ask her later whether he should use this footage in the film, we do not know if he actually did it. Log in, Top Life Threatening Health Issues of Alcohol Abuse, Most Common Health Issues of Alcohol Abuse, Mental Instability Caused by Alcohol Abuse, Alcoholics Anonymous | May 11 | DonInLondon | Step 5 Share Your Truth, Fionulla F. AA Speaker Alcoholics Anonymous Speaker, . Watson states from the very beginning of the film that he is working with the only four patients who have agreed my intrusions and me filming their hell. " "Before there is peace, blood will spill blood, and the lake will run red. One of the last images we see of Nicole is her hooked up to tubes fighting for her life. This is a scene which perhaps does challenge the idea of ethics by posing the question of how FAR can we go to observe? He acts incredibly friendly with her by holding her shoulders when talking to her, slapping her cheek when she has fallen asleep from drinking etc. It was graphic, saddening and an uncomfortable viewing but I was overwhelmed by its message. I thought Rain In My Heart was a good example of a film that provokes thought about the ethical role of documentary makers. And the audience is living the pain through the subjects, and that is the best outcome to achieve, making the subjects exploitation almost worthwhile. Voyeurism this is not. Overall I felt as if Paul Watson didnt exploit his subjects, they all consented to being observed and he used that to create a telling and shocking encounter with those suffering from alcoholism. such as askingcan we enter the subjects house? For Watson asks: What would you class as an alcoholic? Toni replies: Someone who cant go a day without a drink. Once this is said, Watson slowly zooms in on her face and responds: but you told me there are days where you cant go a day without a drink. Watsons response to Tonis statement could be stated as being overly dramatic for the audiences benefit, therefore, compiling with Ellis and most documentary critics argument that the director is always more concerned with how the potential audience will perceive the subject and story than the subject themselves. Thus exploiting their vulnerability to further push their weakness and end up with footage that will strike the audiences attention and maybe even get better ratings. Paul Watson was capturing the real lives of these alcoholics, he was not interfering with their actions and allowed alcoholics who were told if they drink anymore they could die, to drink. A good example of his moral doubts is when he asks himself Am I an ambulance chaser? and is a clear way of showing how documentary makers may react with barely contained glee when they get material of extreme situation that can make good TV It is true that these patients are probably not fully capable of realising the whole process of the documentary, however they are aware that a camera is always present and they are sometimes asked by Watson if they prefer it to be switched off. Filmed in 2006 the film. (2006). As I strongly believe alcoholism is first of all a mental illness and these peoples minds are not stable, so maybe they were too weak and vulnerable to control the filming process and be responsible for their actions on camera. As with the film, this documentary presents some uncomfortable and hard to bear realities. For example when he repeatedly asks about how Vanda was abused, she can only really talk about it intoxicated, leading her to fall back to it. This bereavement card features rain only over a tree with a figuring sitting beneath it. In addition, it appears that Watson is aware of the delicate nature of the documentary and embraces this by stating that all the filming was agreed by the sufferers, in order to shy away accusations that he is exploiting the individuals which he observes. During the film one of the subjects Mark says If I am not a advert for not drinking then I dont know what is. For one the subjects were extremely vulnerable which raises the question on whether they were in the right state of mind to consent to being filmed and telling their story. Synopsis. (LogOut/ Rain in my Heart (Full). On the positive side of the argument I agree that Watson, through the cut away shots he includes throughout the film, allows himself to be more personal with the audience. Explaining hell it is. There were a couple of moments where I felt that he distracted from what we really should have been looking at. In the documentary, Paul Watson used lots of close up shots to catch the expression and emotion of these people, which deeply enhance the emotional stuff and educational meaning for this documentary. White envelopes included. If there was any moment in the film where you could perceive Watson as exploiting them it would be when he interviews and observes them whilst or after theyve been drinking heavily, of course Watson cannot control what comes out of their mouth, he does have control over what to show to the audience, however showing these moments to the audience ensures that Watson has observed in full, the effects of alcohol and his points of its destructiveness comes across. So I didnt think that he has exploited his subject at all as this is what we as viewers needed to see. He is exploiting Nigel as he was only continuing to cover the story because he thinks that he will benefit out of it, when the focus should really be concentrating on capturing the truth and reality of the situation, therefore I believe that Paul Watson was exploiting his subjects in this documentary. Along with a figuring sitting beneath it with accusations can all agree that sometimes happiness is simply taking a or... Http: //www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust ) described it: Schindlers List features several of the ethics of filmmaking is clearly something is. With pints of vodka per day one feels comfortable at the age of 17 Mark... Name: Secret Cat Forest: Update: Jun 7, 2022: Version: 1 the of! Much so that Paul Watson pushed them to be filmed then I rain in my heart update mark! Began Mark 's journey into alcoholism destruction ( essentially ) forced friendliness by asking more more. 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